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剧情:

剧情介绍🦾:江炳怀虽然被堵住了嘴,但是耳朵还听得见,可是当他听到周红旗和丁长生的对话时,知道今天自己真是难逃一死了。“好好,我干,不就是勒死个人吗,这点事我还做得了”。“动作快点,我在楼下等你”。周红旗说完就开门出去了,丁长生怕她再有什么闪失,于是赶紧放下背包动手了。🔗“老三,帝血崖貌似发生了了不得的事情。”南宫潇潇也悠悠醒来,身上的伤势已经全部复原。萧凡眯了眯双眼,深吸口气道:“这难道是异象显化,帝选传承?”诸葛剑屈服了!阳旭那肆无忌惮的样子,令得诸葛剑史无前例地,感到了一丝无力感。...[展开全部]

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梦想成为了不起的罪犯的迪格南(欧文•威尔逊OwenWilson饰)找来刚结束了精神病院治疗生活的好友安东尼(卢克•威尔逊LukeWilson饰),以及能够充当司机的大麻爱好者鲍勃(RobertMusgrave饰)组成了一个仓促上马的犯罪团伙。先用偷窃安东尼家来热身的这伙准罪犯们苦练枪法、设计路线,终于成功打劫了一家书店,兴高采烈进入罪犯行列的迪格南等人驾车逃窜,躲入了一家汽车旅馆,安东尼对旅馆的乌拉圭女服务员一见钟情,而鲍勃却因自己兄弟入狱的消息心神不定。在安东尼和服务员的恋情如火如荼之时,鲍勃丢下二人返家,迪格南和安东尼也终于散伙,各自回归了平静生活。然而迪格南仍然没有放弃犯罪之梦,他向自己的偶像——黑道人物亨利求助……
480P
其它 欧洲的某个地方 Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
720P
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
720P
美国 侏罗纪公园3 继索纳岛恐龙逃往事件过去已有八年,艾伦•格兰特博士(山姆•尼尔 Sam Neill 饰)无论如何也不愿再返回那个鬼地方。虽然发下重誓,但现状不得不让他收回誓言。他的一项史前动物研究陷入资金紧张的窘境。而这时,富有的商人保罗•科比(William H. Macy 饰)及其夫人阿曼达(Téa Leoni 饰)找到艾伦,邀请他作为向导带他们乘飞机前往索纳岛观光。一方面酬劳颇丰,一方面又得知不用着陆小岛,好了伤疤忘了疼的艾伦接受了他们的邀请。
高清
继索纳岛恐龙逃往事件过去已有八年,艾伦•格兰特博士(山姆•尼尔 Sam Neill 饰)无论如何也不愿再返回那个鬼地方。虽然发下重誓,但现状不得不让他收回誓言。他的一项史前动物研究陷入资金紧张的窘境。而这时,富有的商人保罗•科比(William H. Macy 饰)及其夫人阿曼达(Téa Leoni 饰)找到艾伦,邀请他作为向导带他们乘飞机前往索纳岛观光。一方面酬劳颇丰,一方面又得知不用着陆小岛,好了伤疤忘了疼的艾伦接受了他们的邀请。
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英国 书谜第一季 Six classic British books are considered with a fresh eye. Returning to the authors' original manuscripts and letters, expert writers and performers bring their personal insights to these great works.
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Six classic British books are considered with a fresh eye. Returning to the authors' original manuscripts and letters, expert writers and performers bring their personal insights to these great works.
高清
未知 冲激21 一群爱好飞车的青年,因一次冲突中将一名西人打死,众人大惊下将尸体埋在郊外,并相约暂勿集会。梁文斌、周国良及冯志力三人欲逃亡外国,但事机不密被众人发觉,挟持大厦天台,被斥责不够义气而发生冲突。
高清
一群爱好飞车的青年,因一次冲突中将一名西人打死,众人大惊下将尸体埋在郊外,并相约暂勿集会。梁文斌、周国良及冯志力三人欲逃亡外国,但事机不密被众人发觉,挟持大厦天台,被斥责不够义气而发生冲突。
高清
韩国 花样青春 SEVENTEEN 此前,Seventeen作为嘉宾出演了“出差十五夜”,并以许愿券进行了游戏。当时圆佑和Dino写了Seventeen出演《花样青春》的愿望,DK抽到了相关的愿望券,获得了《花样青春》的出演权。9月8日曝出在罗马拍摄。
4K
此前,Seventeen作为嘉宾出演了“出差十五夜”,并以许愿券进行了游戏。当时圆佑和Dino写了Seventeen出演《花样青春》的愿望,DK抽到了相关的愿望券,获得了《花样青春》的出演权。9月8日曝出在罗马拍摄。
4K
美国 叛徒(美版) 第一季 Contestantsinthegamemoveintoamajesticcastleandworkasateamtocompleteaseriesofdramaticandchallengingmissionstoearnmoneyfortheprizepot.Somecontestantsaretraitorssomeareloyal.
1080P
Contestantsinthegamemoveintoamajesticcastleandworkasateamtocompleteaseriesofdramaticandchallengingmissionstoearnmoneyfortheprizepot.Somecontestantsaretraitorssomeareloyal.
1080P
俺是异世界带货王
超清
中国大陆 君心 暂无简介
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暂无简介
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美国 秃鹰 BoredofficeemployeeMarty,isouttocheatthesystem.Onedayhedecidestomakehisescapebyswipingdozensofundeliverablerefundchecksfromhiscompany.Fromhere,hissmall-timescamsmanifestintoparanoiaandviolence.
2K
BoredofficeemployeeMarty,isouttocheatthesystem.Onedayhedecidestomakehisescapebyswipingdozensofundeliverablerefundchecksfromhiscompany.Fromhere,hissmall-timescamsmanifestintoparanoiaandviolence.
2K
美国,加拿大 J·J·艾布拉姆斯监制的科幻片、他的坏机器人制片公司的首部R级电影《霸王行动》发布海报,伞兵降落带着血腥。该片被很多影迷戏称为“《使命召唤》的僵尸模式”,讲述二战时期的诺曼底登陆遇上生化丧尸:诺曼底“霸王行动”前夕,美国伞兵深入敌人后方,执行一项对入侵的成功至关重要的任务。但当接近目标时,他们开始意识到,在这个纳粹占领的村庄里发生的事情比简单军事行动要复杂许多,他们将与超自然力量斗争,而这些是纳粹实验的一部分。
蓝光
J·J·艾布拉姆斯监制的科幻片、他的坏机器人制片公司的首部R级电影《霸王行动》发布海报,伞兵降落带着血腥。该片被很多影迷戏称为“《使命召唤》的僵尸模式”,讲述二战时期的诺曼底登陆遇上生化丧尸:诺曼底“霸王行动”前夕,美国伞兵深入敌人后方,执行一项对入侵的成功至关重要的任务。但当接近目标时,他们开始意识到,在这个纳粹占领的村庄里发生的事情比简单军事行动要复杂许多,他们将与超自然力量斗争,而这些是纳粹实验的一部分。
蓝光