我们曾深爱过的男人

讲述一名普通捕快为了弘扬正义，不忘初心，敢于对抗恶势力，多次拒绝不明钱财。在一次案件中初露头角后，被其他捕快排挤。后因他的不懈努力，唤醒了自甘堕落的几名同僚，最终将坏人绳之以法。

　　十八年前的一段孽恋看似被淡忘，但随着一幅封尘的画作重现，和这段孽缘有关的人和事被一一抖出，引起轩然大波，一发不可收拾……尚谦与妻子锐婷由英国回流返港。谦是一名画家，出道十数载依然寂寂无名，得婷在旁督促，才未有放弃。画廊老板志浩是谦的好友，谦的一幅旧作被浩视为「沧海遗珠」，经浩大肆宣传，谦终于一尝成名滋味。这幅画作令谦回忆起沈越，十八年前，二人曾有过一段暧味关系。越突然出现，要挟揭发谦的偷画恶行！为了延续「偷来」的成就，谦请求越帮忙；为了生计，越接受谦开出的条件。经过多番接触，二人感情升温。婷与浩发展婚外情，欲结束并修补夫妻关系时，却发现谦有外遇。婷找私家侦探调查谦，循着线索追寻到一商厦，期间被神秘人袭击，她由天台堕下，倒卧血泊中，惊悉眼前的神秘人竟是……

凭借《新闻记者》荣获2019年日本电影学院奖最佳影片的藤井道人导演，其最新力作转而呈现黑帮家族史诗，以1999，2005，2019三个年份为切入点，故事线跨越平成与令和时代的风云变迁，以极度压迫性的镜头语言诠释现代社会中的黑社会真相以及黑道族人的生存准则。绫野刚再度贡献影帝级别的表演，实力演绎年少漂泊被黑帮收留的主人公贤治，自此一生陷入残酷恶斗与亲情挚爱的两难之中。

讲述遭遇了许多不公的年轻女孩Gala始终保持着善良之心，虽然像一个卑微的椰子壳，但她最后证明了自己是一个有价值的人。

Unhappy in his job and unlucky in love, Joko reunites with a childhood friend and gets the spark of hope he needs to win back his ex-girlfriend.

《十荒六梦之初恋》分别通过影视二创讲述了剧中人物新的故事，龚俊与戚砚笛的温柔陷阱，王一博与宣璐的猫鼠游戏，剧已完结剧中人还在，二创之后赋予其新的感动与温暖，所有都未完待续，传递一个存在于剧之外的新生故事。

根据小说《The glass room》（玻璃屋）改编，卡里斯·范·侯登 （Carice van Houten）倾情出演，描述了在那一个战火纷飞的年代，两个女人跨越多年的爱情，最终修成正果，He~

罗伯（约翰·库萨克 John Cusack 饰）是个音乐狂热爱好者，他经营着一家唱片店，店里的两名店员迪克和伯利都是音乐爱好者。一天，罗伯的女友罗拉（艾本·叶尤 Iben Hjejle 饰）跟他提出分手，他甚至搞不清楚原因。为此他做起自己的“失恋排行榜”，回顾一路以来失败的恋爱。他发现自己总是充当被甩的一方，于是他决定重新联系这些前女友，询问她们当初选择分手的原因。 与此同时，罗拉因为要搬出罗伯的住处而与他一直保持着联系。一次，罗伯从罗拉的朋友口中得知，罗拉居然开始和住在自家楼上的伊安（蒂姆·罗宾斯 Tim Robbins 饰）约会。这让罗伯大受打击，他开始不停地打电话骚扰罗拉和伊安，在他们楼下徘徊。终于有一天，转机到了，罗拉告诉罗伯，她父亲去世了……

此剧讲述了关于中年上班族们为了在剧变的社会里生存而拼命工作的炽热生存记故事。

托德是一个聪明灵敏、不循规蹈矩的私人侦探，但也因此被吊销执照、陷入生活困境。在帮助自己的律师母亲经历婚姻破碎和棘手案件的过程中，他的出色表现使得母亲对他的印象有所改观、并让他成为了母亲律所的内部调查员...

Atlanta,1873.It’sanotherday(Melanie’sfuneral,infact),andScarlettisdeterminedtowinbackRhett(who’sspendingalotoftimewithBelleWatling).First,shegoestoTaraandspatswithSueEllenoverTara.ThenshegoestoCharleston,presentingherselftoRhett’smotherandfriends,toRhett’sdismay.Butwhenshe’scaughtinacompromisingpositionwithAshely,sheretirestohermother’speopleinSavannah,andheroverbearinggrandfatherRobelard,whileRhettcourtsanewbride.ScarlettalsoseeksoutherO’HararelativesandmeetshercousinColum,apriest(andgunrunner).Andknowingthem,shegoestoIreland.ThereshemeetsthehandsomeEarlofFenton,whoownsBallyhara,theancestralhomeoftheO’Haras.AndwhenScarlettbuysitfromhim,shebecomesthefinancialandspiritualheadofthefamily.Buthernewfoundhappinessisshort-livedasdisastersstrike,andshemustrelyonRhett’sloveforhertosaveherfromthegallows.

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该剧改编自翁贝托·艾柯的符号学推理经典小说，讲述修道院中的谋杀案：1327年的意大利，方济会修士威廉(特托罗)和他的学徒Adso(达米安·哈顿)来到位于阿尔卑斯山的一座僻静修道院，目击了一系列谋杀。调...

Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.

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