危情追踪

在以色列并不存在民事婚姻与民事离婚，所有的结婚与离婚必须在犹太教拉比的裁决下才能成为“合法”，然而丈夫一方的权利往往凌驾于第三方的裁决人之上。《诉讼》正是在这样背景下所讲述的故事。 故事的主人公薇薇安·阿姆萨勒姆自三年前已经提出离婚，然而她的丈夫伊莱莎并不同意。即使伊莱 莎强硬地不肯妥协，薇薇安已经下定决心要争取自己的自由，然而宗教裁决人的态度却是暧昧不清。在三方拉锯的过程中，一幕幕悲剧与荒谬不断上演。

WhenthreeEmiratisoldiersareambushedinahostileterritory,theircommanderleadsadaringmissiontorescuethem.

時はクイーンズブレイドが、流浪の戦士レイナの優勝で終わった頃

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

影片以1980年韩国发生的光州民主运动为背景，讲述了人们在历史的漩涡中为了生存，为了守护自己所爱的人与命运做抗争的故事。

这是一部实时发展型的非灵异悬疑剧。 最可怕的，应是人类。一档直播广播节目。对读者来信感到奇怪的工作人员使节目继续，却发生了意想不到的事情……

　　When Faye Banks secretly enters a competition to win a seat on the first manned mission to Mars, she never expects to win. But when the dangerous one way trip becomes a reality, her life on Earth is turned upside down. With time running out, Faye must decide whether to leave her husband, family and friends, or has the prospect of leaving for ever made her realise what she has h...

该剧以特殊警卫要员金蔎雨和topstar汝云光的兄弟情作为焦点展开。朴海镇饰演的特殊警卫员只有国情内部少数上级才知道他的存在，总是摆着一张扑克脸，他的新任务是担任韩流明星吕云光的警卫。女主是汝云光的脑残粉，后进入汝云光的经纪公司成为他的经纪人，全心全意的保护他的偶像，但是神秘保镖蔎雨的到来打破了她原来的完美生活……

传说中的神话奥汀大陆分为水、风、火、地四个国家，每个国家都有精通魂术的人，其中最厉害的七个被称为王爵。水国普通少年麒零离奇地被七度王爵银尘收为使徒，卷入了这场魂术的风暴，水国隐藏的秘密也渐渐浮出水面。

暂无简介

「チ○ポマ○コ妊娠もっとイキまくりたいからチ○ポがんがんつきまくって詩津絵をもっとどこかに連れてってまだまだまだがんがん突いて突いて突いて……!」 妻「詩津絵」は、悪鬼「藤本」の罠によって性処理雌奴隷へと成り果てた。 愛する妻が変貌していくさまを、「私」はただ見ていることしかできない。 「藤本」に強引に孕まされ、身重になっても娼婦として客を取らされる「詩津絵」。 大勢の客の前で「出産ショー」を見せつける「詩津絵」。 実の息子の目の前で、性交を強要させられる「詩津絵」…。 絶え間ない凌辱と暴力、悦楽の果て。 ひとつの家族がささやかに築いてきた幸せは、脆くも崩れ去っていく―-。 サークル「モクゾウザブトン」の「どうあがいても絶望」寝取られCG集原作モーションコミック、第2弾にして最終章! 孕もうが出産しようがヤク決めようが問題無し、熟れた人妻が快楽にヨガり狂う、獰猛な野獣に冒された成れの果てがここに…! エロさもエグさも前回から超パワーアップ! 一度見始めたら止まらない圧倒的映像の連鎖。これぞモーションコミックの可能性だ…!!

拉摩洛丹（蒲巴甲 饰）王子看到了最不想看到的一幕，父亲尸骨未寒，母后竟与叔叔克洛朗（多布杰 饰）大婚。夜晚，父亲的鬼魂找到王子，告诉他自已是被亲兄弟所害。一心为父报仇的王子遭到母后百般阻拦，情绪失控的...

《尸境4》又名《尸境》或《新尸境：杀手》、《魔镜(美版)》。由1999的《尸境》88分钟，开始改编。

警探约翰•麦卡伦（布鲁斯•威利斯 饰）从纽约来到洛杉矶，见他分别已有半年之久的妻子霍莉（邦尼•彼地丽娅 饰）。他被邀请参加在一栋大厦的30层举行的圣诞晚会。然而一群匪徒却打起了大厦金库中存有的六亿多元公债券的主意。他们封锁了大楼，将参加晚会的人扣作人质。麦卡伦侥幸逃脱，只身与匪徒们展开了激烈的斗争

隶属于关东头号黑帮组织山王会的池元组头目（国村隼 饰）曾在监狱与小组织村濑组头目（石桥莲司 饰）结为兄弟。山王会野心勃勃，时刻觊觎村濑的地盘和毒品生意。在山王会若头加藤（三浦友和 饰）的授意下，池元命令麾下的大友组向村濑组发起挑战。大友（北野武 饰）的猛烈攻击和山王会老大（北村总一郎 饰）的毒辣计谋令村濑节节败退，被迫退休，组内的生意也易作他主。　　大友组人才辈出，若头水野（椎名桔平 饰）和干部石原（加濑亮 饰）亲自主持在某非洲国家使馆开辟赌场，一时间财源滚滚。然而风云变幻，在早已抛弃了传统仁义道德的黑帮社会，各种阴谋纷纷浮现，大友组风雨飘摇……