寂静

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由腾讯视频出品的，国内首档以男性视角关注女性美的时尚综艺《口红王子》第二季官宣定档，宣布将于10月29日起每周二中午12：00在腾讯视频独家上线。主持人何炅携手第一季王子费启鸣、Mike、秦奋、戴景耀如约归来，更有彭昱畅和毕雯珺作为新晋王子惊喜加入。六位王子组成可盐可甜、魅力型男、偷心盗贼等多款类型并存的全新“王子团”，并有“美好颜究员”薇娅加盟，探秘女星化妆台，深入讨论两性情感等问题。

该剧讲述幼时被母亲抛弃的小野浩史通过与各种女性的相遇，在时有冲突时而逃避中逐渐重拾笑容的故事。

ABC宣布续订《菜鸟老警》第五季。

电影根据残奥冠军苏桦伟真人真事改编。苏桦伟生来因黄疸病导致脑痉挛，无法正常站立行走。而苏妈（吴君如 饰）没有放弃，不仅帮助儿子站了起来，还发掘了他的跑步天赋，直到苏桦伟被残障田径队选中，夺得残奥会冠军并打破世界纪录，这对神奇母子的热血励志传奇开始家喻户晓。

穷酸的瘾君子T从家中客厅穿过卧室门，却发现发现进到了另一个一模一样的客厅，T惊恐，认为遭遇鬼打墙，冷静之后T发现没有那么可怕，因为家里的大门依旧能通向外界，T开始研究这个奇怪的空间，并从中发现财源。

一个代号为"机关枪女人"性感女杀手，受雇追杀智利的一名黑帮头领。而黑帮老大则开出高额赏金悬赏机关枪女人的头，一场杀戮之旅即刻开始......

故事改编自著名的二战军事事件“敦刻尔克大撤退”。二战初期，40万英法盟军被敌军围困于敦刻尔克的海滩之上，面对敌军步步逼近的绝境，形势万分危急。英国政府和海军发动大批船员，动员人民起来营救军队。

除非黄土白骨，守你百岁无忧，你是否遇见十年羁绊百年奉陪的那个人？十年前，寄养在江南水乡的温衡（任敏 饰）第一次被接回北方温家，命运的安排让她遇见了言希（丁禹兮 饰），这一遇见，便是十年纠缠。一个是低眉顺眼的温家女孩，一个是张扬跋扈的言家长孙，他们的人生道路不停交汇又分离，终于发现，两人心中所愿，不过是“永远在一起”。十年后的重逢，伴随着亲朋好友的陪伴与见证，似乎是命运的轮回，给这个“只羡温言不羡仙”的故事画上句点。

HBO正式宣布续订《衰姐们》第六季最终季。

民国初期，海归医学研究生孙毅诚来到迷雾镇，为当地诊所运送防疫医用物资。不料当天，隔离区、镇上接连遭到了怪物的袭击。为了保护幸存者，孙毅诚、左医生联手合作，成功杀死怪物。而左医生也终于找到了治疗瘟疫的配方，证明瘟疫是病，绝非迷信之人口中的诅咒。

王磊中了彩票，却因妻子要离婚隐瞒中奖之事，李大志为娶丁小婉假冒中了大奖。阴差阳错下，几人闹出了一连串啼笑皆非的事，最终王磊与妻子和好如初，李大志与丁小婉终成眷属。

ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout.

菲力浦与凯萨琳离了婚还为孩子的监护权争吵。再公判决官卢卡（希维欧·奥兰多SilvioOrlando饰）规劝两人复合，在私却在和老婆闹分居。伊丽莎（克劳蒂亚·洁里尼ClaudiaGerini饰）结婚时却发现证婚神父竟然是前任罗伦佐（法拉维·因辛纳（FlavioInsinna饰）。保罗（法比·奥德·路易吉（FabioDeLuigi饰）在夜店结识梦妮卡（瑟西·卡索CecileCassel饰）却招来她前任男友大卫（亚历山德拉·葛斯曼AlessandroGassman饰）的威胁。马克（马力克·齐狄MalikZidi饰）和女友朱莉娅（克里斯廷娜·卡波唐迪（CristianaCapotondi饰）只能远距离恋爱。每个人都在为爱情努力向前看，却发现有的事情总有东西牵引大家回头......

车夫张大胆（洪金宝饰）自称胆识过人，神鬼不怕，经常与别人打赌练胆。某天他提前收工，发现老婆（梁雪薇饰）与别人私通，而对方竟是大胆的雇主谭老板（黄蝦饰）。谭老板为掩盖真相，派师爷（太保饰）寻茅山道士钱真人（陈龙饰）设坛杀害大胆。钱真人设下圈套，借打赌之名将张大胆诱至马家祠堂，施法唤出僵尸追杀大胆。钱之师弟许真人（钟发饰）不满师兄图财害命、伤天害理恶举。他暗中协助大胆，使之最终逃过此劫。然而谭老板祸心不死，一计不成，再施一计，非置大胆于死地不可……