咖哩辣妹

艺人Annie（宋慧乔 饰）多年的恋情走到了尽头，幸好，还有Candy（陈乔恩 饰）、Tina（邬君梅 饰）这样的死党不离不弃；不想，掳走了Annie恋人的Melissa（伊能静 饰）在事业上同样步步紧逼！Melissa的一手操控，将猝不及防的Annie推到了舆论的风尖浪口，同时好友Candy和Tina相继跌入了情感漩涡的波诡谷底，Annie在孤独中清醒地发现，无论是Mark（窦骁 饰）还是王子煜（郑元畅 饰），都不可能为自己全部地分担…… 　　痛定思痛的Annie终于鼓起勇气，决意去面对所有的质疑、伤痛与不理解，因为彼时的她，不只为她一个人的人生战斗，亦是在为一直以来不离不弃的好姐妹们…… 　　——这是一个关于女人觉醒的故事……

一年一度的圣诞佳节终于到来，在狂欢派对上，投资公司职员大卫（布瑞恩·杰拉夫迪 Brian Geraghty 饰）终于鼓起勇气向刚刚辞职的美丽女职员艾蜜莉（艾丽丝·伊芙 Alice Eve 饰）搭话，聚会中途，二人驱车和他们的朋友科瑞（乔什·派克 Josh Peck 饰）一同返回。此时已近深夜，希望买点儿什么吃的的三个人进入某自动提款机服务站取钱，可是正待出门时却发现一个神秘阴森的身影站在外面，后者更在众目睽睽之下杀了一个陌生的流浪汉。 　　大卫等人就这样被困在方寸之间，看似随机的袭击事件，一切似乎又尽在神秘之人的掌控之中，他们最终能否逃脱？还是成为恐怖袭击者的牺牲品？

石猴在金箍指引下转世投胎为花小天，引来巨灵的觊觎。仙女阿措受命找到花小天，劝他担负起护佑苍生的使命。巨灵频施毒计，屡陷小天于危难之中。阿措拼死一搏，使花小天逐渐明白了自己必须背负的责任，一代战神终于被唤醒。

隐形富豪顾百方过身后留下七个遗愿给七个同父异母女儿。大女儿顾灵珊（黄翠如 饰）事业成功但感情生活一塌糊涂，与已婚才俊叶子礼（陈山聪 饰）维持不伦恋，又与亲妹顾青桐（高海宁 饰）关系疏离。青桐前半生坎坷，直至遇上漫画达人马崎骏（陆永 饰），生命才有转机。灵珊与同父异母二妹顾语嫣（林夏薇 饰）交恶，语嫣对亡夫不能释怀，周旋在友人沈昭然（郑子诚 饰）及与亡夫相似的行为艺术家王男（徐荣 饰）之间。四妹顾双儿（江嘉敏 饰）的双面性格差点闯下弥天大祸；五妹赵君月（陈滢 饰）因为母亲的不幸遭遇要向顾家各女儿报复；六

新一代的侵略，贪婪的鲨鱼海底裂缝的冰冻的北极研究站，吞噬那些落空。当车站沉入冰冷的水中时，那些活着的人必须穿上临时的武器，否则就会遭受同样的命运。

　　影片发生在1905年，一艘名为波将金号的战舰上，原本这是一艘沙皇海军的骄傲，可是因为连续数月的伙食太差，导致了一场哗变。沙皇海军波将金号战舰上，水兵的生活环境非常差，受着非人的待遇。一连数月，水兵的伙食很差，供应的牛肉甚至长满了蛆，引起了战舰上水兵们的极度不满。部分水兵策动起义，却受到了军官的镇压。指挥官下令枪杀叛乱者，但是由于起义之火在众人心中燃烧。行刑队拒绝开枪，起义者们拿起武器将军官丢入大海。波将金号被起义者们夺取，并驶入敖德萨石阶进行补给。敖德萨的群众对水兵们的遭遇非常同情，义愤填膺，纷纷声援

Chrisisapsychicwholiveshislifeoutoforder-experiencingpast,presentandfutureasajigsawpuzzle.Butwhenhecommitsamurderinthefuture,hehastochangehispastandpresentinordertopreventitfromhappening.

本片讲述了一段关于人生成长的创业故事，主人公小强出生在偏僻的农村，幼年时母亲不幸遭遇车祸离世，一家人生活十分艰辛，但是幸得奶奶和父亲无微不至的关怀，一家人和睦友善，日子虽然过得十分艰辛但也十分幸福温暖，正是这种家庭的和谐幸福让其有着坚韧不拔、知恩感恩的本性。成年后，坚强懂事的小强为了减轻家庭负担，选择独自前往上海创业打拼，创业的道路十分艰辛，让其遇到了很多困难和挫折，但因为小强善良的本性，又让其收获到了非常多的帮助和鼓励，最终经历过许多风风雨雨之后，小强用自己的坚强和勇敢，在上海闯荡出了一番属于自己的事业，与此同时小强也赢得了属于自己的一份爱情，成功后的小强知恩感恩，选择回报社会。

NitroPlusx松竹最新原创动画「REVENGER复仇者」制作决定！

深夜，邻家小狗威灵顿死在草坪上。我心疼地抱着它，却被主人误以为是凶手。我决定侦破这起谋杀案，并把探案的过程写成一本书……

The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

《纠纷》这部电影讲述的是菜买老王被人误打耳光报警，青年警察小路接警，之后又发生了一系列案件、纠纷，在侦查案件、解决纠纷的过程中，警察小路收获了爱情，并与老王化解了误会的故事。

达尼（费尔南多·罗马洛 Fernando Ramallo 饰）是17岁的西班牙少年，暑假最让他兴奋的事，就是爸爸妈妈要出国旅游，留下海边大房子和他一个人整整十天。尼可（乔迪·卫契兹 Jordi Vilches 饰）是达尼的死党，两人早就打算一起狂欢。他们相约露营，遇到一对表姐妹，意外的打起了摆脱处男身的主意。两个男孩白天和女孩在海边跳舞、喝酒、抽烟、游泳；当派对完毕，提着满脑袋的精虫回到别墅后，他们又忍不住互相打起手枪来——可是对尼可来说，这只不过是发泄的途径，但对达尼而言早已有了情感的意义：他发现自己喜欢上了尼可。两个男孩开始充满尴尬与冲突，他们都需要正视自己的欲望…...过了这个暑假，他们都长大了一点。                                                                    　　导演以一种莫名冷峻和无比细腻的笔触抚摩到了一个17岁的世界,一个充满温热、躁动、不安与诱惑的地带。这是一个关于成长的故事，即甜蜜又苦涩；不是同性恋少年的猎奇助性，而是荷尔蒙翻腾的跃跃欲试，焦灼不安的认同与接纳，揉掺了一丝青涩与眷恋的温柔回眸。《西班牙处男》在2000年戛纳首映大获好评，获得芝加哥国际电影节的费比西影评人奖。第53届戛纳电影节青年电影奖 特别奖西斯科·盖伊

20世纪末，波黑战火笼罩的巴尔干地区。聋哑少女安吉尔（罗茜·戴伊 Rosie Day 饰）目睹了亲人邻居被武装分子残忍杀害的一幕，在此之后她也失去自由，与数名同龄女孩被掳至暴徒维克托（凯文·霍华斯 Kevin Howarth 饰）所盘踞的地狱之所。女孩们被迫沦为性奴，饱受摧残与折磨，生命卑微有如在暴风雨中摇曳的烛火。身处无声世界的安吉尔似乎得到上天微薄的怜惜，她每天的工作便是穿梭于各个房间，为女孩们擦拭血迹，注射药物，缓解疼痛，小小年纪却见识了人世间最残酷的景象。惨无人道且防守严密的人间炼狱，安吉尔决定带着姐妹们逃出生天。当杀母仇人格伦突然来到此地，一切走向失控的边缘……　　本片荣获2013年葡萄牙国际奇幻电影节影评人选择奖。