巴啦啦小魔仙之飞越彩灵堡第二季

乔蒂（艾娃·米歇尔饰）一直是学校里个子最高的女孩，但她对此事一直感到不自在。16 年里，乔蒂一直懒懒散散地生活，被同学们取笑，直到她遇见了斯蒂格（卢克·艾斯纳饰）。斯蒂格是一名看似完美的瑞典留学生，个子甚至比乔蒂还高。乔蒂的新对象给她的生活带来了天翻覆地的变化，并且使她陷入了一段令人惊讶的三角恋，但在两位好友（格里芬·格鲁克和安杰利卡·华盛顿饰）和选美皇后姐姐哈珀（塞布丽娜·卡彭特饰）的帮助下，乔蒂意识到，自己远比外表带给她的不安全感更强大。《乔蒂的烦恼》是导演恩辛哈·斯图尔特的首部剧情片，讲述了关于找回自信、不再懒散、重新振作的成长故事，既暖心又幽默。

一段以10年为期限的生命，一场以10年为倒数的爱情。 20岁的高林茉莉（小松菜奈 饰）因患罕见病被告知仅剩10年寿命，已经注定结局的命运，却因为在同窗会遇到真部和人（坂口健太郎 饰）而产生意外的插曲。爱情的眷恋、亲情的牵念、友情的羁绊……在余下的时光里，茉莉开始重新思索对待自己和世界的方式——如果生命只剩10年， 是否还会去做想做的事，去爱想爱的人？ 电影改编自同名小说，原作者小坂流加和主人公茉莉一样身患绝症，并于2017年2月文库本发行前夕离世。

San Kaew is a cunning girl who disguised herself as a boy to find her real dad. She then finally meets him. Panin, a player businessman, is shocked, then he remembered that he was once involved with a woman named Thipkesorn, San Kaew's mother. He thinks his son is a lady boy and tries to be a good role model to him, so he can be a man, but he doesn't know that she's a girl.

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

Lt. Penucci, not particularly with his superiors or anyone else, really, must track down a homicidal nut before he or she kills again. He becomes romantically involved with a researcher helping him, who becomes the prime suspect in the killings.

Reality dating show that transports 15 UK singles to a very special American High School setting for a second chance at finding love. Who will secure a date to prom and be named prom royalty?

亚太电影大奖评审团大奖， 奥列格快30岁了，是一名医护，每一个繁重的轮班后，他都喜欢痛饮一场。他太太凯特雅也是个医生，在医院急诊室工作，但是她对奥列格的耐心已经快磨没了，所以有一天，她宣布要离婚，不过他们还得一起合住在这个狭小的公寓里，直到奥列格找到房子。他还发现他的工作出现了很大变化，让他的生活变得更艰难……　　导演鲍里斯·赫列勃尼科夫是俄罗斯当代电影界最有趣的导演之一，在这部忠实展现特定环境的影片中，证实了他的能力。尽管运用了一定的夸张手法，他还是在描述主角的困境和情感时，体现了仁慈与理解。影片使用精准的导演手法，勾勒出一段正经历“心律失常”的关系，正如奥列格在救护车中施救的病人所经历的一样。

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青春体娱跨界赛事类综艺节目《超新星运动会》，打破了传统娱乐与体育的界限，将近100位来自娱乐圈的艺人聚集在一起，让他们跨界变身为运动员，参与包括田径、水上、综合等多个项目的比赛。通过专业的训练和激烈的比赛，展现了艺人们不同于舞台上的另一面，同时也传递了积极向上的体育精神。

个性认真、擅长料理的律师笕史朗，与温柔体贴的美容师矢吹贤二是一对住在市区小公寓的同志情侣。为了两人的养老基金，笕律师每天上超市捡便宜，左扣男友的零用钱、右向老家伸手讨罐头、还要严格控管每个月的餐费，在...

和任何一个21岁的男孩子一样，刘华也对美好的恋情充满了期待和向往。幸运的是，他还拥有一张令女生们尖叫不已的俊朗面孔。一日，刘华在校园里偶遇传说中令海风大学所有男生都垂涎欲滴的女生林巧儿，并对她一见钟情，还情不自禁地跟了她一整天。令刘华万万没有想到的是，林巧儿竟然主动邀请他去家里做客。刘华喜出望外，如获至宝，但他不知道，等待他的并没有想象中的那么美好。林巧儿可谓是个十足的野蛮型女孩，说话总是咄咄逼人，动辄甚至拳脚相向，怎奈刘华对她痴心不改，甘愿受气。在随后的相处中，林巧儿对待刘华就像是一个十足的“恶魔”，可是在孤儿院，在那些患有艾滋病的孩童面前，她却是一个充满无私爱心的美丽天使。刘华对她的感情日益加深。一天夜里，他英雄救美，挺身帮助了路遇劫匪的一个女生，而她正是海风大学鼎鼎有名的校花凤宝钗。凤宝钗的哥哥是个年轻才俊，身家不菲。面对这个勇敢帅气的救命恩人，凤宝钗一见倾心，从此便开始了对刘华大胆的追求。一个是死缠着不放又有着万贯家财的凤宝钗，一个美若天仙，一个风情万种，刘华不由得陷入了尴尬的境地。此时的凤宝钗经过调查发现，刘华似乎更倾心于林巧儿，于是心生一计。学校礼堂里，刘华被众人声讨，一旁的女生肖芳一边痛哭流涕，一边控诉刘华是如何玩弄她的好友凤宝钗的感情。刘华有口莫辨，人群中的林巧儿用利剑般的眼神怒视着刘华。两人从此陷入僵持。几日后，林巧儿在游乐园偶然看到扮成狗熊的刘华正汗流浃背地被游客捉弄，才得知刘华是在为被男友骗光了钱的肖芳筹钱，顿时对他刮目相看、感动不已。正当刘华沉浸在爱情的甜蜜中时，林巧儿却告诉他，自己要和爸爸一起去美国了。林巧儿走后，刘华痛苦不堪，为了寻找回忆，他走遍了两人曾去过的所有地方。一日，校长交给刘华一本巧儿留下的日记本，并告诉他巧儿已经不在人世了。当初之所以骗他自己是去美国，只是不想让刘华看见自己死前的样子。而日记本上面记述着她和刘华之间的点点滴滴。看着日记，刘华泪流满面，后悔自己不该放走了林巧儿，放走了生命中的至爱。突然，眼前出现了一个熟悉的身影，那不是他日夜思念的巧儿，原来巧儿并没有死，这只不过是巧儿用来考验刘华的一个骗局。

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