剧情介绍📼:金木君啊,记住你的承诺。两人的打斗速度极快,往无人地方移动,在一片废弃的停车场内,血腥味已经冲鼻至极!断裂,快速生长!断裂,再次接上骨骼!神代利世抓住每一丝每一毫的机会啃食壁虎,这份疯狂姿态已经脱离女性的界限,她是野兽中的疯子!👸万浩鹏明白胡丽一定是在出租车,叮嘱她注意安全,等他,就挂了电话。洪金全一直在专心开车,一句话都没问万浩鹏,万浩鹏发现洪金全还是可靠的人,不由在心里记住了这个民主街的副所长。到了谷振强家后,洪金全带着万浩鹏进去了,谷振强已经在客厅等他们,一见万浩鹏,赶紧说:“金全,去给万总泡茶。”万浩鹏没想到谷振强对自己这么客气,赶紧说:“谷局长,别客气,我们也没时间喝茶,我手里的证据能在你家电脑上复制一份到我的邮箱里吗?”“好,我们去书房。”谷振强不知道是什么证据,但是万浩鹏这么晚拿到的东西一定非常重要,既然他找到了自己的家,证明万浩鹏认定了他是莫向南的人,在这个时候,谷振强肯定愿意站到莫向南那一边,上次为了志化县的事情,他就已经被成家帮的人划到了莫向南这边,他的副局长王权衡不知道暗刺了他多少次,他这个一把手都快被王权衡替代了。...[展开全部]
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女特工艾米拉在执行一项任务时受挫被停职,回家之后又发现家里突遇变故,爸爸被杀妈妈被绑。为了追查线索救出妈妈,艾米拉和男友杰森开始到处追查线索,但 却处处遭遇莫名杀手,陷入重重危机。在他们终于以为有了线索的时候,却不知道他们其实已经陷入了一场更为恐惧的生化危机……
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在一建筑工地出土一具千年古尸,整个城市的磁场受到干扰。古尸被送到研究中心,阿仁奉命负责保卫工作。天情是天姬的传人,在处理灵异事件的同时追查邪王的下落天情担心邪王会来争夺古尸,建议将古尸焚烧,但阿仁坚持执行上级部门命令要留下古尸做研究。邪王勾结罗兰抢走千年古尸,意图在七星连珠之夜借助星辰之力解开封印。人邪大战,一触即发。
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帕西是一个不幸的女孩,在十二岁那年,母亲结交了一个新男朋友,从此她的噩梦就开始了。在十六岁那年,继父让帕西怀了孕,并在一次酒醉时,杀了刚刚出生的婴儿。忍无可忍的帕西终于爆发内中抑郁已久的愤怒,杀了继父。几年后,帕西因在狱中表现良好而提前出狱,面临着社会是否会接纳她等一系列问题。一个刚出狱的女孩,为了想重新开始一切,在一天夜里搬到偏僻的小镇,希望可以忘记从前的一切。在小镇警察局长的帮助下,帕西来到一家餐厅工作,烤肉店的孤身老太太翰娜收留了她,她觉得自己似乎得到了再次重生的机会。
然而纯朴的小镇,慢慢却因此而波涛暗涌。烤肉店来了个罪犯服务员的消息很快传遍了这个狭小的镇子,不少八卦的人还特意跑了看。而帕西也没有隐瞒自己曾经做过牢的消息,坦然面对大家。老太太翰娜竭尽全力保护这个受过伤害的女孩,并给与她充分的信任,而在烤肉店工作的过程中,帕西与翰娜...
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《咒怨》导演清水崇执导的“恐怖村”系列电影第三弹《牛首村》发布海报,并宣布由木村拓哉的女儿木村光希主演,这也是她的大银幕出道!
和系列前作《犬鸣村》《树海村》一样,《牛首村》灵感也源自真实存在的灵异场所,这次聚焦日本北陆地区的怪谈事件。
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建筑工人李三辈(毕鑑昌 饰)文化水平低,他常为此苦恼,大学生秦淑贞(李长乐 饰)是夜校老师,开始时她瞧不起三辈这样的笨学生,认为他们只配干粗活。但当她了解三辈的出身后,改变了原有的看法。几年后,三辈通过刻苦学习,已成长为能看建筑图纸的“土专家”。一次施工中为了图速度,忽视了向老工人师傅学习经验,操作失败,三辈摔成重伤。事后三辈主动承认错误,高师傅(王斑 饰)、秦淑贞也作了自我批评。1960年,三辈调往另一大型建筑工地,他边学习边钻研,向工地领导提出自己的革新建议,得到专家认可,但也有人反对,最后,在陈书记(张荧 饰)的支持下,他收获了成功,也收获了秦淑贞的爱情......©豆瓣
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1991年夏,一场特大洪水使无数家园毁于一旦周桂英和陈宝根正准备吃饭,儿子阳阳却在厨房里发现了三个陌生的孩子:石风,甜甜和铁蛋。夫妻俩可怜这些孩子,商量后将他们留下,给桂英增加了不少负担。根宝心疼妻子,决定将孩子的下落通知乡干部,把孩子送回去。桂英得知石风和铁蛋的父母都在抗洪救灾中牺牲了,便十分关注这两个孩子,并为偏袒他们,打了阳阳。根宝赌气离家,奔忙在救灾一线,把奖金和补助费都寄回家。为救护孕妇过河,极度疲劳的根宝心脏病发作,被洪流冲走。桂英捧着点燃了长明灯的船,轻轻地放入河里。
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Cosimo, a buffalo farmer, refuses to sell off his land to the family of the young mayor candidate. When he finds out he has a tumour caused by all the toxic waste that are illegally disposed of in the fields of the so-called “Land of Fires”, his wife decides to carry on his battle. Diego OlivaresDiego Olivares (1965) is a Neapolitan director, scriptwriter and dialogues writer. ...
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正直干练的莳田光(刚力彩芽 饰)原本是冲在临场最前线的刑警,只不过她出现在搜查一课中也无非是警界应付公众媒体的权益之策。未过多久,她就被踢到了警视厅悬疑案件资料室,坐上了冷板凳。某天,正在认真录入信息...
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Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police. This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
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