欲罢不能：巴西篇第一季

2015年4月，一档有东方卫视与欢乐传媒联合打造的明星喜剧经验真人秀节目《欢乐喜剧人》正式与全国观众界面。节目延请国内各界极具代表性的喜剧明星加盟，如在时尚都市男女中知名度颇高的开心麻花、东北军后起之秀宋小宝、心宽体胖的女汉子贾玲、相声领域的李菁和曹云金、邓超做老板的白眉工作室、爱笑兄弟乔杉、修睿，此外更有高晓攀、九孔、刘仪伟、吴君如等人的乱入，让节目精彩纷呈，笑果不断。除此之外，被万千女性视为男神的吴秀波担当主持，使这档节目平添了更多的看点。最强喜剧人大混战，不容错过！

本片讲述Kristoffer Polaha饰演的棒球运动员因为个人问题，遗憾地结束了职业生涯。沮丧的他意外结识了在当地杂货店工作的小伙儿。慢慢的，他与这位患有唐氏综合症但乐观善良的打工仔成为朋友，并在他的帮助下，日渐走出人生低谷。

小叮当的朋友芳雯结识了强大又神秘的永无兽，并与它成为了朋友。但是其它仙子并不认可永无兽，芳雯会如何解决这次信任危机呢？

　　每一个人，都有追求美好生活的天性，有了好的，就想要更好的……杰米就是这类人中最典型的代表之一，在位于中西部的家乡小镇中，他是那里的王牌推销员。不满足于小镇中的平静祥和的杰米带着他美丽的未婚妻白莉莎一起来到纽约这座大城市，期望可以开拓一片更加广阔的天地。                                                                            　　由于以前有着良好的工作记录，杰米很快就被“拜纳伍”销售公司吸纳为正式员工，并成为另一位员工泰德的搭档，巧的是，泰德也是公司的销售榜首。然而与杰米的天真热情完全不同的是，泰德是一个有侵略性、满嘴脏话又愤世嫉俗的人--他对公司给自己指派了这样一个新手做搭档，不满的情绪更是溢于言表。虽然杰米的乐观并没有被泰德的厌世挤压殆尽，可是他却一次又一次地在销售时以失败告终，并最终明白，大城市和自己的家乡小镇是完全不一样的。                                                                            　　一个偶然的机会，杰米将泰德带回了家……第一次见面的白莉莎和泰德之间马上产生了电光火石般的激情，...

1927年，武汉。第一次国共合作破裂，反动军警布下天罗地网搜索一个身藏秘密线索的六岁男孩——金宝。餐厅女招待宁广冬经过艰难抉择，冒险收养了这个共产党人的遗孤。为保护金宝，她屡次陷入绝境，依靠不屈的意志，在恋人共产党人肖勃及小白龙的帮助下化险为夷，并协助肖勃摸清了金宝身上隐藏的线索，揭开了日本人侵华的惊天阴谋。宁广冬含辛茹苦抚养金宝。抗战胜利后，金宝加入国民党，宁广冬因一桩凶杀案成为国民党实施政治阴谋的替罪羊。负责审判她的正是金宝。经肖勃缜密的调查取证，金宝认清国民党假和谈真内战的嘴脸，与母亲团圆，走向了光明。宁广冬和肖勃为阻止反动派更卑鄙的阴谋而最终献出了生命。

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

剧中讲述洛杉矶地铁发生炸弹袭击案时，在车上的蓝领工人Mike Russo只是想确保妻子Allison及10岁女儿Pearl的安全，但在错误证据及社交媒体上被「预先定罪」下，Mike被描述成是此事件的幕后黑手。Mike为了证明自己的清白及找到真凶，故此只好逃离家人、警察、社交媒体，以逃犯身份寻求真相。

Natalie Chandler's friend hospital sister Logan reports suspected foul play following several deaths on her A and E ward,the last being when a young girl was given a fatal dose of prescription drugs. Chief suspect young Dr. Grant proves to be an unqualified impostor but he implicates elderly,pain-killer addicted colleague Dr. Austen,who was in charge when the other patients die...

一名退休的顶尖以色列特务重操旧业，追缉一位早就死在自己手下的巴勒斯坦激进份子，引发一连串的混乱事件

博派现在必须和极限动物并肩对抗狂派，狂派则与掠食金刚联手，拼命找寻下落不明的火种源。然而，黄金光碟却掌握在掠食金刚的手中，这款难以捉摸的文物不仅跟密卡登切身相关，还能赋予他强大的优势，用来压制死对头柯博文。这场最终之战将决定赛博坦的未来，究竟哪一派人马能胜出？

35岁的邱有利每天做着靠买彩票中大奖的发家梦，妻子刘艺冰虽然万般教育忍耐，但还是对邱有利靠买彩票憧憬生活的做法彻底失望，提出离婚。邱有利做生意，屡试屡败，刘艺冰始终默默地在背后帮助他。刘艺冰生产，邱有利提出要孩子的抚养权，遭到刘艺冰的反对。孩子得病了，需要移植肝脏。邱有利把自己的肝脏移植给孩子，得到了刘艺...

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When Bikini Bottom is suddenly scooped out of the ocean, Sandy Cheeks and SpongeBob journey to Sandy...

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