M·S·多尼：不为人知的故事

　　A onze ans, Alexandrine est malheureuse, ce que son entourage, composé de gens aisés et cultivés, ne parvient pas à comprendre. La fillette ne se nourrit guère, accumule les mauvaises notes en classe et ne parle pratiquement plus. A qui pourrait-elle raconter l'horreur de ses nuits, quand elle voit se profiler dans le miroir la grande ombre noire de son père incestueux, puisque...

　　影片简介                                                                    　　为了援助一位年轻的王子，赢得美丽的公主的芳心，辛巴达和他的同船水手决定联手，向这位法力高强的邪恶男巫宣战。 首先，辛巴达必须先设法取得五颗具有神奇魔力的石头，使受困的Basra城市由男巫邪恶的符咒恢复自由。然而，在这趟惊险的寻宝旅程中，可说是危机四伏，险象环生.... 当他接近亚马逊岛时，不幸被岛上女王所发现，并企图捕获他与鬼岛上的幽灵战士搏斗，此时，辛巴达该如何脱离险境，进而帮王子赢得美人心？

Jeff Rake执笔﹑David Frankel导演的《命运航班 Manifest》讲述一架飞机「蒙特哥航空828号」在5年前消失得无影无踪，但这被众人以为已坠海的飞机突然再次出现；然而问题是，在旁人眼中这事件已经过了5年，但机上所有人都没察觉此事，犹如穿越了时间一样。 Melissa meijubar.net Roxburgh饰演Michaela Stone，事发前她因为一宗意外而苦恼自己是否适合当警察及未婚妻，而神秘失踪后回来的她对生活有了新目标﹑Josh Dallas饰演情报分析员Ben Stone，典型A型人的他正努力处理两个问题 - 儿子的罕见癌症，以及出现在他脑中的神秘声音。J.R. Ramirez饰演警探Jared Williams，尽管他深爱着失踪飞机上的未婚妻，但多年过去后他还是放下了，然而此时未婚妻回归令他陷入两难。 Athena Karkanis饰演Grace Stone，在丈夫及儿子失踪多年后，她终于与他们能奇迹般重聚了，并且决定拥抱这新常态；Parveen Kaur饰演研究生兼医学研究人员Saanvi，她失踪多年后发现自己的工作在医学界有了惊人的突破。Luna Blaise饰演Olive，Cal的双胞胎妹妹；过去她的父亲及哥哥一直都走不出失去Olive的阴霾，而当她回来后他们关系仍如旧昔，唯一不同的是双胞胎的岁数不同了。

继《山炮进城1》拉开互联网大电影囧途序幕后，由小沈阳、刘小光、程野、宋晓峰、唐娜、文松领衔主演；张家豪、小超越、霍云龙、彭禺厶、张笑菲等联合主演的互联网电影传奇大作《山炮进城2》，定档于2016年3月...

影片设定在当下的柏林，女主角温蒂妮是一名城市发展局的顾问她的现任男友忽然提出分手，此时一个古老的诅咒似乎正要应验。中世纪的传说里，温蒂妮是水中的精灵，倘若与她们结合的男人背叛了她们，她们就会杀死男人并回归水中。电影的女主角想要抵抗这一诅咒，故而离开了柏林。此时她结识了克里斯多弗，一名在德国西部水库区工作的工业潜水员。两人相爱。不久后克里斯多弗察觉到，温蒂妮似乎在逃离什么，感觉受到了背叛...

加拿大与英国合拍的《远古入侵》（Primeval）衍生剧《远古入侵：新世界》（Primeval: New World）

Victor, an unemployed film director, his wife just died and left him a 9-year-old son. The difficulties depressed him so much and he became a drunk. The alcoholism was the only way to allow him to escape into the LaLaLand, the drunken illusions had become so real that he evolved into a great dreamer, telling wonderful stories to his son. His drunkenness also made him a would-be...

公元2241年，太空运输船潘朵拉号带着来自外星的能量返回急需燃料的地球。太空船在离地球几千里的地方，收到另一艘废弃太空船的求救信号，船上发现四个性感护士，以为没有死，谁知道原来是太空海盗，这群有胆匪女还引诱和袭击船员。混战之中，外星能量爆炸，有毒绿色液体将一个海盗变成外星异形丧尸，性感女变异形，异形变丧尸，当性感丧尸女异形在互相混打，外星能量膨胀，狂吸船上氧气，太空船就快直撞地球。危急关头，剩下的船员同海盗，不情愿都要一起合作，想想对策。时间无多，船上同地球上数十亿人的生命正受到严重威胁。唯一方法就是摧毁外星能量，但要怎样才能做到？

讲述了拥有超能力的美少年，会是恶魔或是天使？

ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout.

根据真实事件改编。《猛虎还活着》是《代号猛虎行动》的续集，堪称印度版《战狼2》。本片，描述了印度情报局联手巴基斯坦情报局，两国特工尽弃前嫌，联手拯救40名护士于伊拉克恐怖组织ISC的魔掌

暂无简介

暂无简介

「森林进化论」诞生于《大侦探》第八季，是集智斗、博弈、社交、逻辑、推理多重元素为一体的互动游戏。各界优秀青年们将共赴森林深处，在相互制衡的规则下，完成一场专属于智者间的公平对决。　　以大型原创博弈游戏为内容载体，全新的游戏机制，每人参加两场对决综合积分前三名直接晋级决战赛，末2名将抱憾离开，积分赛4-12名展开二轮角逐争夺决战赛最后4个席位，优中选优反转魅力，谁将荣获「森林进化论」王者桂冠？