人鬼交易所

初遇唇枪舌战，再遇撩人心动。火辣潇洒内心有态度的宋星辰遇上禁欲系母胎单身的冷面救援队长苏清澈，一场色气满满、势均力敌的爱情就此展开。

影片以酒文化为背景、时间跨度清末民初、军阀混战、抗日战争、内战直至解放整整半个世纪，讲述秦俭和启尊这两兄弟间恩怨情仇、奋斗创业，历经磨难最终舍弃私利，成全大义的荡气回肠的传奇励志故事。

老实刻板的理发师杜常勇丧偶后独自抚养女儿，只想让女儿继承自己的家族企业理发店，但女儿一心想参加节目《后起之秀》当大明星，对老土理发店根本不屑一顾。缺乏理解的父女二人代沟颇深，吵架已成家常便饭。又一次吵架后杜常勇去天台劝女儿回家，却一起被宇宙射线击中，父女醒来发现身体竟已互换！

一百多年前，中国少林武学家武天行，在日本扩广少林武学，却惹起日本四大御前侍卫家族的挑战，武天行连败三家，最后与千叶家门主千叶奔雷一场惊天动地的大战后，千叶奔雷战败，但心有不甘，希望再与武一战，武天行敬重他是真正的武者，答应雷，就算自己死了，他的子孙亦会接受挑战。一百年后，千叶家的子孙千叶归一四处寻找 武家子孙的下落，不断挑战少林派武馆，而归一一直只知练武报仇，连维生之道亦不懂，弄至要行乞度日。而武家传人武道一，在一渔村与自幼相识的子慧在同一豆腐店工作，道一则在店的天井内开设武馆，可惜多年来，只有一人拜师学艺。道一父亲临死前告戒不可以动武，更把一佛珠交给一，要他出手时三思。

　　跨国偷渡引发货柜死人命案，引起国际社会关注，各国警方联手侦查，打击此类犯罪勾当。香港警方为洗刷偷渡转运站的污名，派出青年干探行宇远赴纽约，配合当警方，侦查有组织偷渡集团罪案。当地警委派行宇到唐人街卧底，调查不法活动的线索与真相。行宇及时向纽约警方提供情报，令人蛇集团的生意大受打击，有力阻止了偷渡罪案。在纽约警方配合下，行宇查出偷渡人蛇的方式和路线，终于将歹徒绳之于法，一网打尽。

片以有着“日本威尼斯”之称的富山县射水市为舞台，讲述了患有轻度认知障碍的女子・真白，初次坠入爱河后的故事。全篇外景都在富山取景拍摄。

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

Clint Ramsey has to leave his job working at Martin Bormann's gas station and flee after his wife is murdered by psycho cop Harry Sledge, who tries to pin the murder on Clint. Crossing America, Clint gets sexually harassed on all sides by various voluptuous nymphomaniacs, and it all ends in a literally explosive climax.

故事以震惊全国的“广东特大缉毒案件”——“GG计划”真实案件为原型，讲述了年轻特警王鑫与缉毒大队成员在队长李广丰的带领下，积极实施“闪狙行动”，并与以金爷为代表的国际毒贩展开激烈对战，最终赢得胜利的英勇缉毒事迹。

年轻的陈秋水（陈坤 饰）为少女王碧云（徐若瑄 饰）的弟弟雨萌当家庭教师，他清朗潇洒，有一套快乐的学习方法，两人一起唱歌学英文，简单快乐，很快就堕入爱河。然而陈秋水是左翼人士，为避难必须逃往大陆。虽然似乎是短暂的离别，但秋水离去前仍与王碧云私定终生，发誓矢志不渝。

男主自幼被父亲带到大城市，从不知道自己的母亲是谁，长大后当上了墨西哥某市市长回到父亲曾经工作的地方治理灾情，无意中认识的一个美熟妇并爱上了她，谁知这位妇人竟是自己的亲生母亲……

一代大侠李慕白（周润发饰）有退出江湖之意，托付红颜知己俞秀莲（杨紫琼饰）将青冥剑转交给贝勒爷（郎雄饰）收藏，不料当夜遭玉娇龙（章子怡）窃取。俞秀莲暗中查访也大约知道是玉府小姐玉蛟龙所为，她想办法迫使玉蛟龙归还宝剑，免伤和气。但李慕白发现了害死师傅的碧眼狐狸（郑佩佩饰）的踪迹，她隐匿于玉府并收玉蛟龙为弟子。而玉蛟龙欲以青冥剑来斩断阻碍罗小虎（张震饰）的枷锁，他们私定终身。关系变得错综复杂，俞秀莲和李慕白爱惜玉蛟龙人才难得，苦心引导，但玉蛟龙却使性任气不听劝阻……

NBC续订《法律与秩序：组织犯罪》第4季。

影片由4部短片组成，在四个组成部分中，顾长卫的《龙头》讲述了一个作家、女孩、艺术家和拾荒者，在年年月月分分秒秒的等待中，或聚或散的故事。而蔡明亮则与老搭档李康生合作，讲述了叫“小康”的《行者》在城市里奔走的故事。金泰勇的《你何止魅力》是个喜剧，男主角为了安抚病重的老父，花钱雇佣假女友，没想到假戏真做。而许鞍华则继续聚焦香港小市民的生活，吴镇宇在《我的路》里是一个深得女人心的好老公和老爸爸，但是，他内心的向往却是——变性！

西南某灾区迎来了救援医疗队和志愿者们，随队而来的还有女演员秦翡。人人都说秦翡来当志愿者不过是为了作秀，然而，秦翡却认真努力，还在危急时刻舍身救人。日夜相处中，医疗队队长行知止看到了秦翡内心的坚韧和善良，两人加深了彼此了解。秦翡也发现多年前自己参加舞蹈比赛时遭遇意外，在危急时刻救了自己的命、也令自己重燃希望的年轻医生正是行知止。他们的缘分在很早之前就已经结下。两人在生活中相互扶持，在事业上各自努力，行知止再次参与重要救援任务，秦翡凭借努力重新获得大众认可。秦翡对行知止说，你以生命救援生命，你答应过我，平安归来，你说的话我都相信，哪怕谎言也动听。