古墓丽影：源起之战（国语版）

NightFallsinIndiatellsthestoryofRicardo(JuanDiego)andDana(ClaraVoda).RicardodecidestotraveloverlandtoIndia,asheusedtodointheolddays,whenhebroughthippiestotheEastwithhisvan,crossingEurope,Turkey,IranandPakistan.Butthesituationisverydifferentnow.Ricardohasbeeninawheelchairforthelasttenyears,sufferingfromadegenerativediseasenowinitsfinalstage.HewantstodieonthebanksoftheGangesRiverandmeetGadhaliagain.Inthisjourney,heisaccompaniedbyDana,hisRumanianhousekeeper.Lifeowessomethingtothesetwolonelybeings.Thejourneywillbecomethealibiforpayingitoff.NightFallsinIndiaisashiningroad-moviefulloflifethatusesjourneyasanexcusetotellastoryaboutloveandthepassingoftime,abouttheimportanceofthepresentandtheneedtorecoverlosttime;astoryinwhichthejourneyitselfisasimportantasthearrival.

　　在上一年的全国大赛中取胜的主人公·小野田坂道所属的总北高中。组建队伍的前辈们纷纷毕业、引退，作为新世代的队伍开始进发的他们，在互相刺激、支持、提升的过程中，顺利打入以连霸为目标的全国大赛。之后，决战之时到来。以夺回王座为目标的对手箱根学园、拥有怪物选手御堂筋的京都伏见以及全国的强豪们齐聚一堂，以优胜为目标展开激烈交锋！所有选手各自心怀的想法。身为直线奔驰的竞速选手，身为征服山路的攀登者，以及身为将队伍导向胜利的王牌……通向各自荣誉的终点线——“GLORY LINE”，最先通过的人究竟会是谁——？

《宝可梦：皮卡丘和可可的冒险》是陪伴中国观众多年的《宝可梦》系列第23部剧场版，讲述森林遭遇危机时，小智、皮卡丘与可可一同挺身而出，为保护森林中的宝可梦而战。除了一贯的可爱的宝可梦形象外，本片还着重刻画了萨戮德与可可之间超越血缘的父子情谊。

90年代初的乌克兰，在两个敌对帮派之间的暴力冲突中，一切都取决于代号“异客”的女孩安吉拉。她的弟弟是黑帮成员，想要指证自己的团伙。为了给他施加压力，黑帮头目派手下道捷克将安吉拉带来乌克兰作为人质。很快，操纵、诱惑和背叛将改变这次人质劫持⋯⋯

　　龙吉公主为红鸾星宿，因为一次偶遇爱上杨戬，私自下凡只为见他一面。魔界蓝昊为解除五毒之念封印自身所有记忆，变成纯良少年石头，与古灵精怪的龙吉相识，一路相伴。 　　没想到因为龙吉的一时贪玩解除魔界的封印，石头变回魔族的蓝昊，魔界大军强势来袭，眼看三界将要爆发自封神以来最大的一场灾难，生灵涂炭不可避免。 　　蓝昊威胁龙吉，只要答应嫁给自己就会永久关闭魔界大门，龙吉为了三界苍生无奈答应。杨戬得知后震怒不已追杀蓝昊，千钧一发之际被龙吉阻挡，称愿意牺牲自己拯救三界...

动物的力量是不容忽视的，剧中的「大主角」－大蟒蛇便是一例。一次不当且充满野心的动物实验后，大蟒蛇并悄悄地来到这个世界。它悄悄地划地为王，逐一吞食菲尔摩小镇的居民。居民恐慌、害怕、不知所措……片中充满了对自然万物的种种省思，也将为您展现人性的贪婪、善良及求生存奋门的力量！全剧虽以大蟒蛇为主角，但片中将带给您更多耐人寻味的感官新享受……请您摒息观赏因陷入「大蟒蛇」的恐惧中吧！

方志坚(岳华)是一名汽修工，为人正直。某天晚上在下班回家路上目睹一宗凶杀案, 凶手为黑帮分子谢大成(詹森), 混乱之间凶手逃之夭夭。随后方在警局孙警官（刘丹）的请求下协助指认出谢大成为杀人凶手。孙警官允诺在方出庭作证以前由警方保护其与他家人的人身安全。谢在负责的地下赌档被警察逮捕，谢背后的老大想花钱买通方出庭的时候做伪证被其严词拒绝，随后派出手下不断的骚扰、威胁、恐吓其妻（刘午琪）和年幼的女儿，逼其就范。在开庭前夕，妻女终被绑架，方迫于无奈在庭上放弃指认谢，谢被判无罪当庭释放。谢在出庭后在接他的车上，被其老大派的人杀人灭口，谢拼命逃脱不知所踪。方出庭后在染布厂找到了妻女，不幸其妻已不幸溺亡。方悲痛万分，誓要将恶人绳之以法。通过对其手下头目的逼问，直接杀入证交所捉拿大老板。在把交易所经理误认为大老板后，方被大老板手下枪手指住，此时谢突然出现救了方一命，...

《大侦探波洛》第二季共10集，于1990年播出。其中第1集和第10集为长篇小说改编，片长100分钟；其他8集均为短篇小说改编，片长50分钟。第10集《斯泰尔斯庄园奇案》是1990年9月ITV为了纪念阿婆诞辰100周年推出的特别篇，改编自阿婆的第一部长篇小说，也是时间顺序上波洛的第一案，适宜作为全剧首集观看。 　　1、Peril at End House 悬崖山庄奇案 　　2、The Veiled Lady 蒙面女人 　　3、The Lost Mine 矿藏之谜 　　4、The Cornish Mystery 康沃尔谜案 　　5、The Disappearance of Mr. Davenheim 无影无踪 　　6、Double Sin 双重罪恶 　　7、The Adventure of the Cheap Flat 廉价公寓的秘密 　　8、The Kidnapped Prime M...

A group of Indian Forest Service officers, NGO workers, police constables and Good Samaritans risk their lives trying to track down the biggest elephant ivory poachers in the history of India and bring them to justice.

ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout.

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当朝六王爷（单立文 饰）勾连土番，意图不轨。陇北节度使截获六王爷通外密信一封，遭六王爷座下两大宠幸刺客之一的“火云邪神”映霞（林青霞 饰）追杀，节度使遇刺前将密信、虎符交托亲弟玄明（莫少聪 饰），玄明避难一杂技班中，班主莲容（吴君如 饰）癫狂泼辣，爱慕玄明却不见容，只得藏起虎符强留。 　　莲容之兄阿镇（巫刚 饰）身为相国护卫，武艺高强。火云邪神行刺相国却不敌玄明阿镇联手，火云邪神为取回密信遂乔装普通民女混入戏班，潜伏日久，被戏班内平和亲切的氛围打动，但六王爷与另一刺客映雪（叶全真 饰）的耐心已到达了极限……

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