重返芳园

七十年代出品的大型战争片之一，焦点是美国与日本海军对垒的中途岛战役在当年的一批同类电影之中，本片不算是突出之作，导演杰克．斯米特的处理手法相对比较平庸，但超级明星阵容却可以令今天的观众重睹上一代巨星风采，而海战的场面也实在拍得逼真，使本片仍维持了相当的趣味性。主演的巨星包括：查尔顿．赫斯登、亨利．方达、格伦．福特、罗伯特．米彻姆、克里夫．罗布森、詹姆斯．科伯恩、三船敏郎。当时还是新人的汤姆．塞莱克也露脸演了一个小角色。

故事发生在民国初年，春天（殷叶子 饰）是青楼里当红的头牌，无数的男人为了一睹芳泽散尽千金，然而某日，春天忽然失踪了，再无音信。原来，贪婪的地主王大猫（曹随风 饰）看上了春天，强行将她娶回了家，成为了第八房太太，之前王大猫虽然娶了七个老婆，可是除了大老婆红桃（买红妹 饰）外，其余六人均在不久之后命丧黄泉，这也就意味着，没在王家多呆一天，春天就离死亡线又进了一步。 善良聪慧的顺子（雷牧 饰），表面看来来到了王大猫家做长工，实则为了解救青梅竹马春天。然而，在王大猫的眼中，顺子已经是一个死人了，因为他设了一出狸猫换太子之计，顺子就是这阴谋里的牺牲品。©豆瓣

数百年前，灵气复苏，人人皆具灵性，欲望开始爆发，混战开始产生，一代圣尊凌云峰和一群生死弟兄们历经浩劫，凌云峰修成了无敌的存在，以大威能一举平定了乱世，迎来了万世和平。 然而，虽然和平降临了，凌云峰突然收到来自道宗掌教的一封密信，发现她居然和自己有了一个儿子，引出了一段孽缘，然而祸不单行，凌云峰发现自己在无敌之前，在自己不知情的情况下，结下了很多孽缘，包括魔宗掌教、妖族女帝、药王谷神医传人、天下第一商女家主、佛总圣女等，凌云峰虽然修为，谋略当世无敌！但是在恋爱与养娃的战场上，他的经验值是0！

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

A rich woman, Raffaella, and some friends rent a yacht to sail the Mediterranean Sea during summer. The sailor, Gennarino, who is a communist, does not like this woman but has to bear with her bad mood. One day she wakes up late in the afternoon and asks to be taken to land where everyone had gone earlier. Gennarino sets up a boat but during the trip, the boat breaks down. They...

　　第五部《猪猪侠》大电影讲述了从小就喜爱猪猪侠的少女吉祥，由于学业的压力与父母产生矛盾，正当她伤心难过之时，吉祥房间中的一幅猪猪侠梦幻世界图，令她意外穿越到梦幻世界，在那里吉祥遇见超能力已经消失的童年英雄猪猪侠，为了送吉祥回家，猪猪侠与吉祥开始了一段啼笑皆非却又惊心动魄的冒险之旅。

当柯比莱恩的 SUV 在沙漠中抛锚时，她必须克服脱水、土狼和潜伏的不死生物，才能找到回家的路。

这是关于一群诈骗高手的故事，他们每周都会用令人意想不到的手段去完成一宗复杂的诈骗案。 　　Mickey（Adrian Lester饰）是这伙人的头儿，在诈骗圈子里属于顶尖高手，他们的作案计划一般都由他来完成。 　　Albert（Robert Vaughn饰）是一个经验丰富的诈骗老手，他的任务便是物色合适的诈骗对象并将他们带入套中。 　　Ash负责提供案件所需的一切场所及装备。 　　Stacie是这伙人中唯一的女性，往往用她的性感迷惑对方，是团队中不可缺少的人物。亦与Mickey有着暧昧的关系。 　　Danny（Marc Warren饰）是一个极具天赋的年轻人，帅气十足，被Mickey收为徒弟。他往往充当案件中的“男主角”。

由John Hannah和Suranne Jones出演的喜剧片《A Touch of Cloth》将恶搞过去十年间英国出品的最精彩和最烂的罪案剧。该剧剧本基于Boris Starling的一个故事改编，剧本创作团队包括Charlie Brooker (代表作：Dead Set) 和 Daniel Maier (代表作：Harry Hill’s TV Burp), 以及 Ben Caudell, Peter Holmes, Jason Hazeley 和 Joel www. chaoji365.com Morris 总督察 Jack Cloth 由John Hannah饰演。这位总督察是一个特立独行的人，酗酒，孤僻，自从他妻子离奇死亡之后就一心沉浸在工作中。心灵受创的Cloth与Anne Oldman搭档办案。Anne Oldman是一个勇敢，不说废...

奇艺坊马戏团在马来西亚巡回演出，团员们偶然听说二战时期日本人留下的宝藏的消息在飞刀高手张大初的带领下，他们一行五人杀害寻宝者，一心想成为飞刀行家的小人物桑尼尾随前来，亲眼目睹大初一众行凶全过程。他被迫随众人下洞，却无意开启日军留下的生化武器。经过一番难以想象的艰苦磨难，桑尼侥幸逃生，却变成奇怪的摸样。与此同时，香港接连发生数起抢劫案。行凶者赤手空拳，手段残忍，他们正是受毒气感染发生变异的张大初等人。这一连串事件震惊全港，警方从内地请来个中高手孙皓与程秀华协助调查。而桑尼也摇身一变成为与邪恶对抗的正义使者……

鲁本和卡洛斯是狱中同窗。当鲁本还在努力摸清监狱生活中的条条框框之际，卡洛斯先是成为了他的领路人，而后终成为了他的情人。两人在狱中对彼此产生了难以名状的情感，然而在他们获遭释放后，问题也随之涌现??

神王之子喻驰被派去地球试炼，为了防止喻驰取巧，神王加上一条规则，必须用人类世界的合法手段，并派狴犴随行，作为监察。就这样，喻驰带着疑惑去完成任务，在绝对的武力面前，各种敌人变的毫无抵抗力，随着试炼的逐渐深入，喻驰似乎对人类世界有了新的感悟。。

《色彩中国》是由五洲传播中心与新西兰Making Movies制作公司联合制作的电视纪录片，灵感来自“五色土”的中国传统文化。该片通过红、黄、黑、白、绿五种颜色，展示了不同色彩下中华自然人文的独特魅力和当下中国社会所蕴含的勃勃生机。《色彩中国》录制完后，将通过德法公共电视台（ARTE）、德国（ZDF）、新西兰国家电视台播出。

1995年7月，斯雷布雷尼察。艾达是联合国的一名翻译。当塞尔维亚军队入侵波什尼亚克飞地并接管那里的权力时，她和她的家人和其他成千上万的人一样，在联合国营地寻求保护。激烈的政治谈判开始了，阿伊达不得不进行翻译，通过翻译她得知了致命而残酷的信息。但尽管信息的爆炸性极强，她还是坚持着逃脱迫在眉睫的命运的希望。

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